The story of the legendary Italian director Fernando Di Leo (Milano Calibro 9, Il boss) narrated by himself and others members of his crew.

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Livio Garzanti. A difficult and moody man, obsessed with death, loved and feared. He was also a brilliant and highly cultured publisher, capable of reconciling the refined and scandalous authors he discovered and launched—Pasolini, Parise, Gadda—with literary entertainment and cultural dissemination of the highest quality, which he saw as his life's mission. Toni Servillo recounts the two worlds, the publisher’s and the private, which constantly intertwine in the choices and ideas of an intellectual who hated rhetoric and cultural snobbery, always preferring surprise, provocation, and the truth, even if disturbing.

On peut être un couple de bons Français, toujours amoureux, parents modèles, travailleurs et économes jusqu'à la manie et écouler au noir dans le sous-sol de sa villa de Béziers hyper sécurisée, des godasses de son ancien magasin et des produits "satisfaits ou remboursés" qu'on détourne dans tous les supermarchés de la région. A chacun sa morale !

This is the story of Aldebrando Testori, a failed publisher who, finding himself broke, has a brilliant idea: to form a gang of forgers to create a fake Leonardo da Vinci manuscript and bid on it at an auction, passing it off as authentic.

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A serial killer is stalking the streets of Paris and Maigret has to resort to setting a trap in order to catch him.

The 1791 La Clemenza di Tito (or 'The Clemency of Titus') marked Wolfgang Amadeus Mozart's final opera seria. With a libretto by Metastasio (edited slightly by Caterino Mazzolà), the work dramatizes the palace intrigues surrounding emperor Titus's attempts to coronate a new bride and the envious Vitellia's attempts to have Titus assassinated (with the help of Titus's friend Sextus) following the deposition of Vitellia's emperor father. Stage director Martin Kušej mounted Tito in August 2003, at the Felsenreitschule in Salzburg; a film of that live performance now appears in this home video release. The cast includes Michael Schade as Titus, Vesselina Kasarova as Sextus and Dorothea Roschmann as Vitellia. The Wiener Staatsopernchor, under the baton of Nikolaus Harnoncourt, provides musical accompaniment; Jens Kilian designed the sets.

Mozart's La Clemenza Di Tito was originally commissioned to celebrate the coronation of the Emperor Leopold II as King of Bohemia in 1791. This rarely-seen masterpiece was Mozart's last opera. Nicholas Hytner's elegant staging for the Glyndebourne Festival Opera sheds new light on the compelling story of passion that overrides loyalty and integrity that is tested to the extreme.